Andrea Nacciarriti was born on June 2, 1976 in Ostra Vetere (AN, Itala). He lives in Senigallia. He has participated in many solo and group exhibitions, such as "Sleepingtime" Galleria Franco Soffiantino, Turin. "Panopticon" Enrico Fornello Gallery, Prato (FI), curated by Marinella Paderni. "SCULPTURE PARK" Reagent's Park, in occasion of the Frieze Art Fair, London. By David Thorp. "4 WAYS TO .." satellite event of the fourth edition of TICAB Internationa Contamporary Art Biennal, Zenith Gallery, Tirana. "SOFT CELL" (Space Dynamics in Italy) GC.AC Monfalcone, curated by A. Bruciati. "Abracadabra" Galleria Franco Soffiantino presents Andrew Nacciarriti to Feria de ARCO 2008; "BORDER-BOUNDARIES" MAN - Art Museum of the province of Nuoro,curated by C. Collu, S. Cincinelli, R. Pinto; "BEAUTY OF THE RESISTANCE" Advanced Course in Visual Arts, Visiting Professor A. Jaar, Como. curated by R. Pinto and A. Daneri; "ad'a" (area of operations) Sforza Castle, Imola curated by R. Daolio.
"Space is full of unexpressed potential, often bent the laws of architectural anthropological, political features, , which, when activated by simple inversion of meaning, produce an '" architecture of intent. "to reverse the direction of perceptual causes unexpected changes:as to draw a bright line on a football field, or play a shatter-proof bulkhead in front of the gallery, or to invite Muslims to pray on mats of cardboard is in any case to rethink the place in a total, radical way.
The ephemeral nature of the works is related to all the elements that I borrow in such a way as full as smooth as possible space and the creative process. My work lives of tests and opportunity and does not require a certain fixed time, indeed, interest me a lot more changes in the environment in which it participates.
The language of art today is anything but a private matter, which is essential to all communicative processes that are the frame, and architecture "involuntarily" teaches us how mutations consistently alter environmental significant value of the same, despite the structural immutability over time. The work was always closely related to a given context, even temporarily, it is dialectical to a place and actually present in it, change the space through intervention and signs that qualify it deeply, breaking the constraints, winning the automatism of perception , it must be able to make us imagine other ways of thinking."